Christmas in July 2016: Dominic Caruso

 
Christmas in July 2016: Dominic Caruso at 1701 Press

1) What Christmas episode/special/or movie always puts you in the holiday spirit?

I enjoy some of the old(ish) variety / music shows. If I watch a Christmas episode of the Lawrence Welk Show from the 70s, that’ll put me in the holiday spirit. It reminds me of the old people in my family (and community), and growing up with them around. What they wore, what they liked, what the decor of the time was like.



2) What Christmas program or scene brings you to tears?


The recitation of the gospel that Linus does in A Charlie Brown Christmas actually makes me tear up. It’s a very poetic moment, expressed in an extraordinarily genuine, unpolished way by young Christopher Shea. It’s a transcendent moment in a kids’ cartoon.




3) What's your favorite quote of dialogue, song lyric, or sentiment from a Christmas program? 

The song “Christmas (Baby Please Come Home)” performed by U2 in 1987 or 88 for A Very Special Christmas. There was a special about U2 or A Very Special Christmas that aired on MTV that year (I don’t remember which), and I was a big U2 fan, and I remember waiting for the song to be broadcast. Of course, Darlene Love owns the song, and I love her performances of it too, but I think the U2 version was my first introduction to it, and there’s a lot of youthful longing in it!

4) Is there a Christmas program that unintentionally frightens you--or turns you off?

Many Santas are unintentionally creepy. But mainly, I’m not crazy about most reality TV Christmas episodes. They tend to be about how the people on the show are ridiculous or awful, more than anything interesting or suggestive of meaning.


from the 1966 Christmas episode of Green Acres.

5) Name one character from Christmas entertainment with whom you closely identify? and explain why. 

I like Oliver Douglas (from Green Acres). I don’t exactly identify with his frustration at the absurdity of his life in Hooterville—but I do enjoy the humor of his situation, and the humor in the absurdity he faces. Maybe I’m more of an Eb Dawson than an Oliver Douglas.


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